Tip #205 – Progress by Voicing

In music theory, we are taught a certain way that chords progress by – following one by another based on their Roman numeral analysis. Such as:

  • V7 goes to I
  • Progression follow the Circle Of Fifths, I-IV-viio-iii-vi-ii-V-I
  • IVmaj7 can act as a predominant area or a Plagal cadence figure.
  • Etc.

Instead of thinking about chords by their Roman numerals, think about their voicings (in relation to the key or outside of it).

For example a dominant-seventh chord. You would think of that as the fifth scale degree to resolve to the root. So, G7 to C.

But, the function of the domain-seventh chord doesn’t always have to be the V7. It can be the:

  • Tritone Substitute, bII7 – I , G7 to F#
  • Dorian Vamp, V7 – ii , G7 to Dmin
  • Bluesy Vamp, IV7 – I, G7 to D
  • I7 chord in a 12-Bar Blues, I7 – V7 – IV7 – I7 , G7 to D7 to C7 to G7
  • Etc.

And now look! You have more possibilities than you can ever think of because you valued the chord voicing more than the Roman numerals in regard to the key.

Thank you so much for taking the time to read! Feel free to comment, share, and subscribe for more daily tips below! Till next time.

Author: Bryan M. Waring

Bryan Waring is a graduate of USM's School of Music with a B.M. in Performance – Composition and is now attending Belmont University for a M.M. in Commercial Media – Composition & Arranging. During his time at USM, he studied violin with Dino Liva and composition with Dr. Daniel Sonenberg, as well as has premiered several pieces during the semiannual Composer's Ensemble concert series. In 2017, Bryan was a writer for the original musical theater work of "Molded By The Flow," directed by Paul Dresher and Rinde Eckert. Outside of school, Bryan has been involved with writing music for videogame developers at Portland's CI2 Lab, collaborating with the King Tide Party, and studying with Larry Groupé (Straw Dogs) in San Diego. Now living in Nashville. Along with composing, Bryan teaches music to children, receiving the Master Teacher Award for his work at ESF Camps; and does audio engineering for live ensembles. Besides talents in music, Bryan is a team-player in any competitive work environment; equipped with skills in leadership, organization, mathematics, creativity, communication, and managing. On the side, Bryan has worked as a model for several skilled artists in the New England area. Among his other accomplishments include obtaining the rank of Eagle Scout in April 2013 with a project of building a side parking area with guide rails for Webb Mountain Park in Monroe, CT.

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