When it comes to versions of songs, there are two options: the original and the cover/rearrangement of it.
Some people prefer the originals, while others find how a different artist or arranger reworked the song into new.
In classical music, you sometimes see other prolific composers rework other’s pieces. As for jazz, it is very common – in fact, a standard – to play covers from the fake book. And rock music has many people doing covers of each other’s tunes.
But, one thing that strikes me odd is when I see a rearrangement of a spiritual in a classical context.
On the outside, it may seem like nothing is wrong… but I want to bring to the table to idea of cultural appropriation.
With spirituals coming from an African American background (especially during the times of slavery and segregation), the music has a weight of history behind it. Reworking the spiritual into a piece that sounds like music from the classical era is – what I consider to be – an act of white washing. To take a piece of history and rearrange it to sound like Western music is like taking cultural identity away.
So does that mean that different races cannot cover each other’s tunes? I’m not suggesting that, but I am saying to consider the history behind a piece of music before deciding to rearrange it into a different style or for a different purpose.
Just thinking out loud..
Author: Bryan M. Waring
Bryan Waring is a graduate of USM's School of Music with a B.M. in Performance – Composition and is now attending Belmont University for a M.M. in Commercial Media – Composition & Arranging.
During his time at USM, he studied violin with Dino Liva and composition with Dr. Daniel Sonenberg, as well as has premiered several pieces during the semiannual Composer's Ensemble concert series. In 2017, Bryan was a writer for the original musical theater work of "Molded By The Flow," directed by Paul Dresher and Rinde Eckert.
Outside of school, Bryan has been involved with writing music for videogame developers at Portland's CI2 Lab, collaborating with the King Tide Party, and studying with Larry Groupé (Straw Dogs) in San Diego.
Now living in Nashville.
Along with composing, Bryan teaches music to children, receiving the Master Teacher Award for his work at ESF Camps; and does audio engineering for live ensembles.
Besides talents in music, Bryan is a team-player in any competitive work environment; equipped with skills in leadership, organization, mathematics, creativity, communication, and managing.
On the side, Bryan has worked as a model for several skilled artists in the New England area. Among his other accomplishments include obtaining the rank of Eagle Scout in April 2013 with a project of building a side parking area with guide rails for Webb Mountain Park in Monroe, CT.
View all posts by Bryan M. Waring