Tip #101 – Weird Third Interval Substitution
Tip #102 – Ending on a “Wrong” Note
Tip #103 – Negative Harmony Reflection Over Tonic
Tip #104 – Negative Harmony Reflection Over Tritone
Tip #105 – Weird Minor Chord Substitution
Tip #106 – Understanding the Manavati Scale
Tip #107 – Dominant Chords Resolving Onto Themselves
Tip #108 – Innate Pulls of Dominant Modulations
Tip #109 – Key Change with Chromaticism
Tip #110 – Understanding the Tanarupi Scale
Tip #111 – Key Change with a Pivot Chord
Tip #112 – Avoid Rewriting with a D.C.
Tip #113 – Avoid Rewriting with a D.S.
Tip #114 – Understanding the Senavati Scale
Tip #115 – Altering the Fifth of a Chord
Tip #116 – Key Change with a Predictable Melody
Tip #117 – Using the Arabic Scale
Tip #118 – Building a Hybrid Scale
Tip #119 – Understanding the Hanumatodi Scale
Tip #120 – Writing and Building Polychords
Tip #121 – Double Meter Mindfulness
Tip #122 – Mindfulness When Using Wind Pads
Tip #123 – Conceptualizing a Thematic Bridge
Tip #124 – Understanding the Dhenuka Scale
Tip #125 – Crossing Voices to Avoid Repetition
Tip #126 – Checklist for a Well-Crafted Introduction
Tip #127 – Cheat-Sheet for Harmonic Lead-Ins
Tip #128 – Rethinking One-Part Density / Unison Lines
Tip #129 – Understanding the Natakapriya Scale
Tip #130 – Pros of Melodic Overlap
Tip #131 – Experimenting with Melodic Coupling
Tip #132 – The 373 or 737 Voice Leading
Tip #133 – Checklist for a Well-Crafted Ending
Tip #134 – Ending with a Cadenza
Tip #135 – Understanding the Kokilapriya Scale
Tip #136 – Plurality in Chord Substitution
Tip #137 – Simplifying Harmony to a Pedal Point
Tip #138 – Using Random Modulations in Length
Tip #139 – Checklist for a Well-Crafted Turnaround
Tip #140 – Cheat-Sheet for Optimum Places of Turnarounds
Tip #141 – Understanding the Rupavati Scale
Tip #142 – Mindfulness of Harmonic Intervals in Two-Part Density
Tip #143 – Evaluating Your Chord Voicings
Tip #144 – Chord Tone for Two-Part Density
Tip #145 – The Seesaw of Acoustic Balance in Counterpoint
Tip #146 – Understanding the Gayakapriya Scale
Tip #147 – Cheat-Sheet on How to Substitute in Extensions into Triads
Tip #148 – Reducing Dominant Chords to Three-Note Harmonies
Tip #149 – Cheat-Sheet for Using Definitive Triads
Tip #150 – Difference Between Open and Closed Fourth Structures
