Say you have a beginning of a new musical work like this below:
As of right now, there is nothing wrong with it, but it can sure use some development and expansion.
However, what if you didn’t like the idea of the harmony jumping from chord to chord each measure? What can you do?
One tip I learned is that you can reduce the harmony down to a single melodic (or harmonic) pedal point based on either the first of fifth scale degree of the scale/mode.
So, a revised version of creating a stagnant pedal on those two scale degrees look as such:
Play both examples above, and listen to how they both sound “complete” in a way.
Still, the pedal point does not always have to be in the bass. Take a look at what is done here:
A pedal based on the arpeggiation of a harmony built on the fifth scale degree is play continuously over the same melody. And even though the melody itself suggests chord changes to that of the original, the simplified pedal works great harmonically with everything.
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