Another vamp chord progression you can use is this:
I – IV7
Some of you might be thinking “but the IV chord isn’t usually a dominant-seventh chord… nor does it resolve to the I.”
Remember this from previous posts: in the twelve-bar blues progression the IV chord resolves more naturally to the I than the V does. Plus, the IV chord harmony appears more frequently than the V chord.
In addition, the IV7 chord provides the b3 scale degree. b3, which is in the blues scale.
Play around with it and see how it works!
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This will be a short tip.
Say that you want a jazz or funk groove but don’t know where to start when it comes to harmonic progressions.
Well, a typical progression used in these styles is the Dorian vamp, which is a repetition of the progression:
i – IV7
Of course, these chords can be altered with upper extensions and sus4, but the root motion is the same.
Both of these chords are naturally found in the Dorian mode (in the example above it would be E Dorian), so it fits right with the tonality you want to be in.
Try it out and feel free to experiment.
Thank you so much for taking the time to read! Feel free to
comment, share, and subscribe for more daily tips below! Till next time.