I dislike using the word “wrong” – mostly because a note is wrong only if you don’t like it and you purposely played it. So in that case, anything musically done with purpose is right.
That being said, on with today’s topic:
Sometimes, I find myself ending a phrase, melody, or musical idea on a note that appears in the chord. While that is not necessarily a problem, I do find it predictable. Especially if the harmony is stagnant.
Today is a gentle reminder that you should experiment with ending on melodic tones that are not the tonic or a chord member of the present playing harmony. This can allow a feeling on continuation or mystery. Irresolution that can develop into a new idea.
See how different tension tones work or sound better/worse than each other.
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