Tip #247 – Setting a Sample to a Pitch

Sometimes, we just default to the idea that the sound sample that a person takes (whether of an instrument, pitch or unpitched, sound effect, etc.) should stay at its captured pitch.

Thanks to the advance in music technologies from the 1980’s to present-day, we have the ability to modulate the pitch of any sound. In addition, we have the ability to tune any captured sound to a frequency we desire.

Experiment with taking sounds like a kick drum, an explosion, a tap on the table, an animal sound, etc. and tune it to several different pitches. Then, try to use what you have melodically! Take advantage of the technology you have before you!

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How To Beat Writer’s Block – Tip #16

For those out there who work and compose through a DAW (digital audio workstation), this one is for you:

Say that you have all these virtual instruments and plugins, but are overwhelmed by the possibilities. Overwhelmed to the point where you don’t know where to start.

The best thing I would advise someone to do is to first program into your MIDI a simple chord progression. I’ll chose it for you… a progression of I – IV – vi – V7.

Next, set that progression on a loop.

Now, while it is in a loop, slowly go through all the instrument and preset possibilities through your DAW till you find something that you like. This will force you be mentally articulate as to which instrument/preset sounds the best.

And from there, you can start building off of what you have chosen. Pick complementary sounding instruments. Change the chord progression. Add a melody. Do some automation. Etc.

Thank you so much for taking the time to read! Feel free to comment, share, and subscribe for more daily tips below! Till next time.