Tip #151 – Using Fourth Structures in Harmonization
Tip #152 – Understanding the Vakulabharanam Scale
Tip #154 – Cheat-Sheet for Four-Part Fourth Structures
Tip #155 – Building Four-Part Closed Fifth Clusters
Tip #156 – Orchestrating Closed Fifth Structures
Tip #157 – Orchestrating to Avoid Minor Second Dissonance
Tip #158 – Understanding the Mayamalavagowla Scale
Tip #159 – Reframing Thoughts on Eight-Part Chord Structures
Tip #160 – Cheat-Sheet for Pairing Scales and Chords Together
Tip #161 – Cheat-Sheet for Building Large Eight-Part Chord Structures
Tip #162 – Understanding the Chakravakam Scale
Tip #163 – Building Heavy Chromatic Lines
Tip #164 – Understanding the Suryakantam Scale
Tip #165 – Using sus2 Chords for Inner-Voice Movement
Tip #166 – Using sus4 Chords for Inner-Voice Movement
Tip #167 – Understanding the Hatakambari Scale
Tip #168 – Having Harmony Never Return Home
Tip #169 – Finding Place for the #iv Chord
Tip #170 – Incorporating a Chromatic Approach/Passing Chord
Tip #171 – Incorporating a Diminished Passing Chord
Tip #172 – Understanding the Jhankaradhvani Scale
Tip #174 – Reimagining Purpose of a Circle-Of-Fifths Progression
Tip #175 – Harmonizing a Chromatic Scale with Secondary Dominants
Tip #176 – Understanding the Natabhairavi Scale
Tip #177 – The Backdoor Progression
Tip #178 – Applying What You’ve Learned
Tip #179 – Understanding the Keeravani Scale
Tip #180 – Using the Principle of the I 6/4 Chord
Tip #181 – Reducing to Power Chords
Tip #182 – Understanding the Kharaharapriya Scale
Tip #183 – Why the iv o7 Chord Works
Tip #184 – Unique Use of Dominant 13 (b9 #11) Chord
Tip #186 – Understanding the Gaurimanohari Scale
Tip #187 – The Beauty of Randomness
Tip #188 – Doubling a Pitch on a Single Instrument
Tip #189 – Adding Chromatics into your Scalar Line
Tip #190 – Understanding the Varunapriya Scale
Tip #192 – Understanding a Cliché Blues Ending
Tip #193 – Using Lightness of a Scale
Tip #194 – Understanding the Mararanjani Scale
Tip #198 – Understanding the Charukesi Scale
Tip #199 – Playing Around with the Harmonic Major Scale
Tip #200 – Turning a Melodic Instrument into a Percussive/Rhythmic Instrument
Daily Music Writing Tips - Blog by Bryan M. Waring 