In most cases when writing a song, the chorus will feature the title or at least the main line. The word or words that will stick in the listeners head even when the song is over.
But, where to you put the title line? At the beginning of the chorus or at the end?
Well, either option can work. However, deciding between putting the main line at the beginning or at the end can greatly impact how the message gets across to the listeners. Let’s take a look:
When you put the title line at the beginning of the chorus, you tell the audience just by the placement of the line that this is important. That of all the lyrical lines in the chorus, the first one is the most important. Plus, putting the title line at the beginning of the chorus allows you to repeat it if necessary throughout the rest.
Saving the title line for the end doesn’t give you the luxury of repeating it as much as if you were to put it in the beginning. However, it makes interest grow because you create suspension by saving the line (the punch) for the end. Just be sure you don’t drag it out so much that people forget it is the chorus.
Try both and see how you song works!
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Author: Bryan M. Waring
Bryan Waring is a graduate of USM's School of Music with a B.M. in Performance – Composition and is now attending Belmont University for a M.M. in Commercial Media – Composition & Arranging.
During his time at USM, he studied violin with Dino Liva and composition with Dr. Daniel Sonenberg, as well as has premiered several pieces during the semiannual Composer's Ensemble concert series. In 2017, Bryan was a writer for the original musical theater work of "Molded By The Flow," directed by Paul Dresher and Rinde Eckert.
Outside of school, Bryan has been involved with writing music for videogame developers at Portland's CI2 Lab, collaborating with the King Tide Party, and studying with Larry Groupé (Straw Dogs) in San Diego.
Now living in Nashville.
Along with composing, Bryan teaches music to children, receiving the Master Teacher Award for his work at ESF Camps; and does audio engineering for live ensembles.
Besides talents in music, Bryan is a team-player in any competitive work environment; equipped with skills in leadership, organization, mathematics, creativity, communication, and managing.
On the side, Bryan has worked as a model for several skilled artists in the New England area. Among his other accomplishments include obtaining the rank of Eagle Scout in April 2013 with a project of building a side parking area with guide rails for Webb Mountain Park in Monroe, CT.
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