Take a look at this cadential figure below:
We can tell that this piece is in the key of a minor and uses a V – i ending. Now, let’s lessen the strength of this ending with an evaded cadence.
In an evaded cadence, extra measures are added to dilute the ending structure, and more likely than not, the motion is creatively headed into a new key area.
In the edit above, a few more measures of the penultimate measure were repeated and varied. Then, the harmonic motion was turned from a V – i ending in the key of a minor, to a IV – I plagal cadence in the key of B Major.
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